
With crosses on their arms and cogwheels on their lapels, delegates arrived at the Haus Der Kulturen Der Welt to take part in the First NSK Citizens’ Congress, three days of deliberation to determine the future of the NSK State. Its emblem was there to greet them, projected full across a wall, replete with thorns, torches, and a swastika. Even for someone who has seen it before, this sigil invokes the primal reaction that the Neue Slowenische Kunst (NSK) art collective often demands.
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